![]() ![]() Get a free copy of WINMI’s collection of Creative WisdomĪs this musical has gone through various readings and workshops, there have been a number of people taking on this characters and singing these songs.Follow Why I’ll Never Make It on Instagram or Twitter.Donate to the production efforts in making this podcast.Subscribe to WINMI and get access to Bonus Episodes on Supercast.Learn more about Why I’ll Never Make It at Matt and Matte share three stories of its humble beginnings, learning to take (and not take) feedback from others, and how actors influence the rewriting and editing process. ![]() Matt and Matte have done several musicals together, but for this conversation we focus on the many years it has taken for Anne of Green Gables to get to Goodspeed Musicals in Connecticut, and how they are preparing for its potential future. ![]() While there have been individual writers and composers on previous episodes, this is the first time welcoming a musical writing team to the show. Well today, I’m joined by two of the people who were in that audition room: composer Matt Vinson and writer Matte O'Brien.Ī transcript of this interview can be found here. And it all started with a self-tape audition back in February of this year that then culminated in several callbacks with the creative team a few weeks later. ![]() Listeners of this podcast know that this summer has been a welcome return to the stage for me in a new theatrical adaptation of Anne of Green Gables, my first musical since the covid shutdown. By the time an actor comes along to audition for it, there’s usually been years of drafts, workshops, and revisions. Writing a musical is a long process, and once the writers are have finished that last page…that’s really only the beginning of their journey. ![]()
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